Vogue, 2021
After a visit to O’Grady’s retrospective Both/And, Cassidy George commends the artist’s life’s work: to demand art institutions to prioritize inclusion.
Joe Biden
747
Holland Cotter, New York Times, 2021
Holland Cotter, a chronic reviewer of O’Grady’s work, calls attention to the exhibition design of her retrospective, Both/And. She remarks on how the artist’s pervasive installation, which weaves throughout the museum, encourages viewers to reconsider the institution’s permanent collection through a critical lens.
black avant-garde Announcement of a New Persona (Performances to Come!) Mlle Bourgeoise Noire 2021 Miscegenated Family album Aruna d’Souza writing in space Joe Biden art-world racism guerilla performance Caribbean Art Is… Rivers (First Draft) Landscape (Western Hemisphere) black writers both/and hybridity retrospective Just Above Midtown Brooklyn Museum
Boston Globe, 2021
In light of O’Grady’s retrospective at the Brooklyn Museum, Murray Whyte argues for the artist’s embrace of cultural hybridity through an in-depth analysis of her art practice. Specifically, she considers how O’Grady’s insistence to be “both/and” – to contain multiple backgrounds at the same time, refusing a singular identity – could usher in the next generation of interdisciplinary, multicultural artists.
Landscape (Western Hemisphere) Aruna d’Souza Mlle Bourgeoise Noire western cultural hegemony Joe Biden Art Is... Cutting Out The New York Times Hugh Hefner Miscegenated Family album Wellesley College Strange Taxi diaspora Egypt Concrete poetry Surrealism both/and Judy Chicago Olympia's Maid Brooklyn Museum Eurocentrism white feminism Rolling Stone refusal Boston 2021 hybridity art-world racism Cutting Out CONYT Just Above Midtown Caribbean School of Visual Arts Rivers First Draft
New York Times, 2020
Zachary Small reports on President Biden’s homage to “Art Is…” in his 2020 presidential campaign advertisement. The article places O’Grady amongst other artists similarly addressing the political climate of 2020. While Alexander Gray warns that “a piece like this is so easy for advertisers to appropriate,” the article makes clear that O’Grady gave her blessing on the campaign’s concept. “Biden is saying the same thing to the country that I was saying to the art world.”
IndieWire, 2020
After President Biden’s 2020 election win, reporter Eric Kohn interviews the campaign’s media production team. Biden’s video director Andrew Gauthier speaks to his interest in artists Lorraine O’Grady, Richard Linklater, and Barry Jenkins, all of whom influenced the iconic media campaign.