post-black

616

Chase Quinn, Hyperallergic, 2018

Chase Quinn casts light on O’Grady’s performance personas in his review of the exhibition From Me to Them to Me Again. The writer considers the artist’s persona of Mlle Bourgeoise Noire to exemplify her career of fighting against art world racism and Western binarism at large.

Just Above Midtown post-black Savannah College of Art and Design black avant-garde Egypt SCAD Mlle Bourgeoise Noire Cutting Out CONYT SCAD Museum Art Is... The New York Times Wellelsey College art-world racism segregation the news Landscape (Western Hemisphere) race and politics Linda Goode Bryant Iowa Writers Workshop representation 2018 black women artists From Me to Them to Me Again western cultural hegemony Afro-Caribbean hybridity Cutting Out The New York Times Irish

Read MoreDownload PDF

Andil Gosine for ARC, 2011

Lorraine O’Grady’s Landscape — In a new magazine devoted to artists from the Caribbean and its diaspora, a young Trinidadian-Canadian professor at Toronto’s York University sheds light on the role of hybridity in Landscape (Western Hemisphere) and its complementary work The Clearing.

Andil Gosine black female subjectivity 2011 Wack! Art and the Feminist Revolution the Caribbean hybridity sex and sexuality autobiography mother Mlle Bourgeoise Noire post-black Art Is... diaspora The Clearing Landscape (Western Hemisphere)

Read MoreDownload PDF