"Frame Me": Speaking Out of Turn and Lorraine O'Grady's Alien Avant-Garde — In the first major academic article on O'Grady, Stephanie Sparling Williams, using both the definition of "alien" as stranger and the Brechtian "alienation effect," provides a first line of theorization, stating: "As both alien and avant-garde, [it paves] the way for these two terms to be theorized in close proximity as a distinctive position from which to deploy strategic visibility and voice."
Louis Bury on "Art Is..." — Bury's lengthy and magisterial review is a model of intellectual attention to what is being seen — both inside and outside the frame. Beginning with the freedom of the piece's title, it examines framing as form, content and metaphor, and illluminates police presence and the relation of viewer to viewed.
Blog entry on "Art Is..." at the Studio Museum in Harlem — This brief review by an art historian frames "Art Is..." as a "meta-art proposition" and draws interesting parallels to works by later black artists.
Juliette Soulez on the Paris Triennale — In French, a review of the Triennale that discusses Miscegenated Family Album and the way in which it creates a space in which to "render visible a class invisible up to now."
The Moment of Encounter — A film director and Columbia University professor describes her experience seeing Art Is... at Basel Miami, then attending O’Grady’s public conversation with Roselee Goldberg and Sanford Biggers at MOMA three months later. Meditates on O’Grady’s career trajectory.
Selected press on O’Grady in the Biennial — A compilation of 18 selected and conflicting mentions of Lorraine O’Grady’s piece in the 2010 Whitney Biennial press provides an opportunity to compare responses to The First and the Last of the Modernists and parse their differences.
Carolyn Tennant, New Media Director, Hallwalls — Catalogue essay for Beyond/In Western New York on O’Grady’s two-part exhibit: The Clearing: or Cortez and La Malinche, Thomas Jefferson and Sally Hemings, N. and Me, photomontage diptych, 1991; and her new complement to it: Landscape (Western Hemisphere)
Les Fleurs Duval, on ArtNet.com — Sirmans' review of "Studies: for a work-in-progress on Charles Baudelaire, the first Modernist poet, and his Haitian-born wife Jeanne Duval" analyzes O'Grady's conceptual oeuvre and her mid-90s computer use in order to deconstruct and reconstruct accepted reality.
Studies for Flowers of Evil and Good, at Thomas Erben, NY — Lengthy, historically aware review of O'Grady's first NY show of digital cibachrome studies for this work, in Review Magazine, vol 4, no 3, October 15, 1998, pp 6-7.
Black Female Spectatorship and the Dilemma of Tokenism — An article in dialogue with O’Grady’s “Olympia’s Maid: Reclaiming Black Female Subjectivity.” In Generations: Academic Feminists in Dialogue, Devoney Looser and E. Ann Kaplan, eds. University of Minnesota Press, 1997.