Lucy Lippard

233

New York Vulture, 2021

Jillian Steinhauer reviews O'Grady's retrospective exhibition “Both/And” at the Brooklyn Museum. The article highlights O'Grady's pioneering work in performance art and her exploration of race, gender, and identity in her practice. Steinhauer describes O'Grady's personal history, including her West Indian heritage, her education, and her career as a writer before she turned to art, another aspect of her life that significantly informs her art practice.

Boston Iowa Writers Workshop art-world racism Guerilla Gurls Lucy Lippard performance becoming an artist Linda Goode Bryant erasure/invisibility Just Above Midtown Cutting Out The New York Times black avant-garde Black feminism Mlle Bourgeoise Noire colonialism Art Is... both/and writing in space Brooklyn Museum

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Stedelijk Studies #3, 2016

"Frame Me": Speaking Out of Turn and Lorraine O'Grady's Alien Avant-Garde — In the first major academic article on O'Grady, Stephanie Sparling Williams, using both the definition of "alien" as stranger and the Brechtian "alienation effect," provides a first line of theorization, stating: "As both alien and avant-garde, [it paves] the way for these two terms to be theorized in close proximity as a distinctive position from which to deploy strategic visibility and voice."

erasure/invisibility Just Above Midtown western cultural hegemony black avant-garde race and class Mlle Bourgeoise Noire Art Is... diaspora art-world racism Lucy Lippard performance art Adrian Piper 2016 hybridity

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Calvin Reid, 1993

A West Indian Yankee in Queen Nefertiti’s Court — The first critical article on O'Grady's work as a whole, and still one of the best. Published in New Observations #97: COLOR. September/October 1993. Special issue, edited by ADRIAN PIPER.

Art Is... the Caribbean diaspora Ancient Egypt writing in space mother black female subjectivity The Fir-Palm Wellesley College The Clearing Girls Latin School Nefertiti/Devonia Evangeline INTAR Gallery hybridity art-world racism Lilith Sends Out the Destroyers Just Above Midtown Lucy Lippard Gaze and Dream black avant-garde performance art autobiography Adrian Piper Mlle Bourgeoise Noire 1993

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Lucy Lippard, 1988

Art Is . . . — Highlighted box review, taking a retrospective look at O’Grady’s 1983 performance Art Is.... In “Sniper’s Nest,” Z Magazine, July-August 1988, p 102

race and class black female subjectivity Hans Haacke Mlle Bourgeoise Noire Art Is... modernism post-modernism Lucy Lippard performance art 1988

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