Patch, 2024. Jainie Winter reports on O’Grady’s “Both/And” solo exhibit, showing at the Davis Museum at Wellesley College. In the article Winter provides an overview of O’Grady’s work and the themes she often explores such as “calls for an anti-hierarchical approach to difference.”
For Artforum, Colby Chamberlain articulates the nuanced, critical value of O’Grady’s “haiku diptychs.” In the review, he traces O’Grady’s deconstruction of print language to the post-Modernist lineage of Benjamin, Derrida, and Mallarmé, which she taught at the School of the Visual Arts around the same time the prints were in production.