avant-garde art

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Brooklyn Rail, 2025

Lloyd Foster’s Height and Soil, presented in Long Gallery Harlem’s Art of the Window series, celebrates Harlem’s community through photo-based sculptures created from images of residents and neighborhood landmarks. Echoing Lorraine O’Grady’s Art Is…, the installation transforms everyday moments into art, emphasizing the role of Black communities not only as subjects but as makers within the avant-garde.

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Art Basel Stories, 2025

Legacy Russell’s exhibition Code Switch: Distributing Blackness, Reprogramming Internet Art traces an overlooked lineage of Black technological innovation in experimental art, from Tom Lloyd’s programmed light installations in 1968 to contemporary digital practices. Referencing Lorraine O’Grady’s 1983 performance Art Is..., the project challenges historical exclusions and highlights the deep connections between Black art, technology, and the avant-garde across generations.

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The New York Times, 2024

Lorraine O’Grady (1934–2024), the conceptual and performance artist who transformed how audiences understand race, gender, and identity, died at 90. Beginning her art career at 45, she created groundbreaking works like Cutting Out The New York Times and championed Black female subjectivity, while her incisive writing and performances challenged systemic erasure and segregation in the art world.

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Hyperallergic, 2024

Lorraine O’Grady (1934–2024), the trailblazing conceptual artist, used performance, collage, and writing to confront the art world’s racial and gender hierarchies. From her first collages in Cutting Out the New York Times to the fearless persona Mademoiselle Bourgeoise Noire, O’Grady challenged Black artists and institutions alike, blending wit, audacity, and Black feminist insight to transform how audiences see identity, creativity, and self-expression.

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