Senga Nengudi

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The New York Times, 2022

In a review for the New York Times, Holland Cotter makes note of the similarities and differences between two concurrent exhibitions in New York City that highlight artists of Caribbean descent. “Juan Francisco Elso: Por América,” a solo exhibition at El Museo del Barrio is discussed alongside the group show “Sin Autorización: Contemporary Cuban Art.” Exhibited at Columbia University’s Wallach Art Gallery, “Sin Autorización” features Elso and O’Grady amongst other Afro-/Cuban artists.

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Hyperallergic, 2017

Upon the opening of the group exhibition We Wanted A Revolution, Jessica Bell Brown celebrates the Black female artists-activists who made space to create their own art world in the 1970s and 80s, including Lorraine O’Grady, Linda Goode-Bryant, and Senga Nengudi. Brown reminds her audience that the work doesn’t stop at this exhibition; she strongly urges museums to acquire the exhibited pieces into their permanent collections.

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