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Meer, 2026

"I dream I cross the river in one stride" brings together the work of Clémence Gbonon, Brittney Leeanne Williams, and Autumn Wallace in an exhibition inspired by Lorraine O’Grady’s landmark essay Olympia’s Maid: Reclaiming Black Female Subjectivity. Presented at Mariane Ibrahim, the exhibition explores Black female subjectivity beyond inherited binaries, embracing complexity, embodiment, vulnerability, and self-definition. Through painting and sculpture, the artists create images that are self-authored, expansive, and resistant to fixed categories, extending O’Grady’s enduring influence on contemporary art and feminist discourse.

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Chicago Reader, 2026

Reviewing After O'Grady at Mariane Ibrahim, Rachel Dukes examines how three contemporary artists—Autumn Wallace, Brittney Leeanne Williams, and Clémence Gbonon—extend the legacy of Lorraine O'Grady’s influential essay Olympia’s Maid: Reclaiming Black Female Subjectivity. Through painting and sculpture, the exhibition explores Black women’s subjectivity beyond limiting binaries, emphasizing embodiment, movement, spirituality, and liberation. The exhibition demonstrates the continuing relevance of O'Grady’s ideas for contemporary artistic practice.

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Post. MoMA.org, 2023

post notes on art in a global context, 2023. Disrupting the Institution through Language and Enactment — Veronika Molnar’s essay examines the cultural importance and legacy of Hungarian Roma artist, Omara. Molnar highlights the parallels between Omara’s disruptions and interventions of art openings and O’Grady’s Mlle Bourgeoise Noire, which reflect the institutional struggles of both Black women artists in the United States and Romani women artists in Europe.

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