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The New Yorker, 2018

The “Goings-on About Town” section of The New Yorker zeroes in on O’Grady’s “poetic, yet pointed” revised collages, Cutting Out CONYT. When a personal voice begins to show itself in the works, it camouflages itself: the journalist who writes headlines blurs with the artist who composes the text into provocative absurdities.

The New York Times 2018 mass-media self-representation found text black female subjectivity poetry Conceptualism

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Hyperallergic Art Guide, 2018

Written in the Fall 2018 Art Guide, Hyperallergic suggests that O’Grady, in her interrogation of print journalism issued in her series Cutting Out CONYT, calls for a collapse of language’s ability to signify meaning for a wide-ranging public.

counter-confessional politics journalism becoming an artist solo exhibition Cutting Out The New York Times haiku-diptych Cutting Out CONYT The New York Times deconstruction 2018 the news found text

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