Art History, 2023. Jamie Danis reviews Stephanie Sparling William’s “Speaking Out of Turn: Lorraine O’Grady and the Art of Language” in conjunction with “Howardena Pindell: Reclaiming Abstraction” by Sarah Louise Cowan. Danis contends with the importance of giving critical and arguably overdue attention to Black American women artists without minimizing the wide-range of their careers outside of the mainstream art world.
FF2 Media, 2023. Artist Lorraine O’Grady’s Both/And Philosophy Rings True — In her article commemorating the two-year anniversary of O’Grady’s “Both/And” exhibition at the Brooklyn Museum, Julia Lasker reflects on the critical philosophy that underpins many of O’Grady’s works: both/and. Since the debut of Mlle Bourgeoise Noire, O’Grady has sought to combat the exclusionary nature of the mainstream art world which, as Lasker writes, “categorize identities…into an ‘either/or’ binary.”
post notes on art in a global context, 2023. Disrupting the Institution through Language and Enactment — Veronika Molnar’s essay examines the cultural importance and legacy of Hungarian Roma artist, Omara. Molnar highlights the parallels between Omara’s disruptions and interventions of art openings and O’Grady’s Mlle Bourgeoise Noire, which reflect the institutional struggles of both Black women artists in the United States and Romani women artists in Europe.
Artbook’s listing for “Lorraine O’Grady: Both/And”, the accompanying book to O’Grady’s retrospective at the Brooklyn Museum in 2021. The book surveys O’Grady’s work spanning over four decades of her major works and showcases, “Announcement”, her new persona and performance piece.