Heresies #15: Racism Is the Issue — Published in the Heresies collective’s journal, this was O’Grady’s first attempt to deal publicly with issues of black female subjectivity. It is based firmly in personal anecdote and psychological description rather than the more theoretical analysis she would later employ.
Unpublished statement, for Judson Memorial Church, unsent — In writing a proposal to perform Rivers at Judson Memorial Church, a venue with important avant-garde history, O’Grady unexpectedly reached greater clarity on the spiritual aspects of her work, especially its forms.
Working script — O’Grady’s most autobiographical performance was a “three-ring” simultaneous narrative performed one time only in the Loch section of Central Park on August 18 for “Art Across the Park,” curated by Gilbert Coker and Horace Brockington. This script, redrafted until the day of performance, and a set of photo-documents are the only remains.
High Performance #17/18, Artist’s Chronicle — After a delay to see if the first chronicle on Mlle Bourgeoise Noire would be accepted by High Performance, a second on Nefertiti/Devonia Evangeline was submitted the following year — though it had in fact premiered at Just Above Midtown just 3 months later.