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In The First and the Last of the Modernists, an installation for the 2010 Whitney Biennial, two of O’Grady’s careers—rock music critic and avant-garde artist—met unexpectedly. She’d taught the work of Charles Baudelaire for two decades at SVA.
BodyGround, shorthand for Body Is the Ground of My Experience, refers to the photomontages produced by O’Grady for her first one-person exhibit, at INTAR Gallery, NYC, Jan 21–Feb 22, 1991. The phrase doesn’t ...