Aware, 2022
For Aware’s index of worm artists, Stephanie Sparling Williams writes on O’Grady’s unique path to becoming an artist from US intelligence analyst, teacher, translator, and critic to avant-garde performances and photo installations.
Cutting Out The New York Times Wellesley College Studies for Flowers of Evil and Good the Black and White Show both/and Rivers First Draft Brooklyn Museum diptych 2021 Miscegenated Family album Stephanie Sparling Williams Nefertiti/Devonia Evangeline Mademoiselle Bourgeoise Noire Boston Body is the Ground of My Experience Wack! Art and the Feminist Revolution