Davis Museum

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Harper’s Bazaar, 2024

The Audacity of Lorraine O’Grady—In this profile of O’Grady, Soraya Nadia McDonald offers careful consideration of the artist whose belated welcome into many institutions has set her a part as a forward-thinking rebel in the art world. Often cited as a major influence among fellow Black women artists, much of the world has finally caught up to O’Grady.

Art Is... Davis Museum The Fir-Palm or Lancela Palm-and-Steel Olympia's Maid Wellesley College The Whitney Museum both/and Brooklyn Museum hybridity Announcement of a New Persona (Performances to Come!) Just Above Midtown Cutting Out CONYT black avant-garde The New Museum Mlle Bourgeoise Noire the knight

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Forbes, 2024

Forbes, 2024. Chad Scott reports on O’Grady’s “Both/And” exhibit at the Davis Museum of Wellesley College. As an alum of Wellesely, O’Grady’s exhibit and accompanying archival materials offers a unique experience for students to learn about the journey of a former student forging their own path in the art world.

Forbes Boston Davis Museum performance performance art Western modernity black female subjectivity race and class Wellesley College Conceptualism hybridity both/and black avant-garde solo exhibition Rivers First Draft the knight Mlle Bourgeoise Noire Black artists Art Is... 2024 Miscegenated Family album

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The New York Times Style Magazine, 2021

Both Sides Now: In Conversation With Lorraine O’Grady—In an interview with Kate Guadagnino, O’grady discusses a typical day in her life as a working artist and her current interests.

Boston Catherine Morris Lucy Lippard Iowa Writers Workshop New Museum criticism Cutting Out The New York Times Davis Museum Wellesley College Just Above Midtown Egypt diptych Conceptualism Mlle Bourgeoise Noire Jamaica Art Is... both/and Miscegenated Family album Brooklyn Museum Olympia's Maid Aruna d’Souza

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