Artforum, 2019
For Artforum, Colby Chamberlain articulates the nuanced, critical value of O’Grady’s “haiku diptychs.” In the review, he traces O’Grady’s deconstruction of print language to the post-Modernist lineage of Benjamin, Derrida, and Mallarmé, which she taught at the School of the Visual Arts around the same time the prints were in production.
Cutting Out CONYT deconstruction language cultural critique The New York Times Just Above Midtown 2019 Surrealism Jacques Derrida Dada Stéphane Mallarmé modernism School of the Visual Arts representation avant-garde literature Nick Mauss haiku diptychs Cutting Out The New York Times Mlee Daniel Reich Gallery Iowa Writers Workshop