Lorraine O'Grady with Jarrett Earnest — In this cover feature, her most important published interview to date, O'Grady discusses Flannery O'Connor as a philosopher of the margins, the archival website, working out emotions via Egyptian sculpture, Michael Jackson's genius, and feminism as a plural noun.
Wack! Art and the Feminist Revolution
Abbreviated version of a WPS1 radio chat with curator Connie Butler. Published in the P.S.1 Newspaper Special Edition for “WACK! Art and the Feminist Revolution,” Winter/Spring, 2008, P.S.1–MOMA, Long Island City, NY.
Recorded by Art Radio WPS1, available online at clocktower.org — Full transcript of a 45-minute conversation between Lorraine O’Grady and curator Connie Butler in WPS1 Art Radio’s broadcast studios two weeks before the WACK! opening at PS1–MOMA, Long Island City, NY.
Posted to the moca.org WACK site — O’Grady posted this brief synopsis of the performance and its background on the WACK! exhibit’s excellent website. Significantly, she also posted 13 largely unknown photos-with-captions documenting the performance, which historically had been victim to two iconic images. Lacking a full context, they had become empty signifiers.
WACK! gallery talk, published in Art Lies #54, Summer 2007 — As part of her gallery talk for WACK! Art and the Feminist Revolution at MOCA, LA, O’Grady read this statement inspired by Marsha Meskimmon’s important catalogue essay, in which the theoretical underpinning for the show’s historic statement of including 50% non- U.S. artists had been laid out.
Lisa Scanlon on O'Grady's archive at Wellesley College — Associate editor Scanlon, writing on the newly opened Lorrraine O'Grady Papers, the College's first major alumnae archives, calls the collection a means to preserve the records of the artist's "permanent rebellion."
Lorraine O'Grady's Hair Stare Fare, Village Voice — Davis's career evaluation and review of New Worlds at Alexander Gray, NY, O'Grady's show comprised of The Fir-Palm, The Clearing, and the projected video Landscape (Western Hemisphere), is suggestively sub-titled "A veteran artist turns identity into abstract art."
Lorraine O'Grady Papers, Wellesley College Library — Front page article on the college website about the artist's visit to campus for the celebration of the opening of her archive and to give a lecture.
Lorraine O’Grady’s Landscape — In a new magazine devoted to artists from the Caribbean and its diaspora, a young Trinidadian-Canadian professor at Toronto’s York University sheds light on the role of hybridity in Landscape (Western Hemisphere) and its complementary work The Clearing.
Five from the Whitney Biennial: Lorraine O’Grady — Walleston’s Art in America online interview-feature, published on the day of the V.I.P. reception for the 2010 Whitney Biennial, provided a brief but effective look at the artist's work and career.
Miscegenated Family Album, at Alexander Gray Associates, NY — The first New York Times review of a solo show by O’Grady. Lead review in the “Art in Review” section, with a photo of “Sisters I.”
WACK! Feminist Art Strikes Back — Feature article with photo describes O’Grady presenting her work on the artist gallery tour during the opening of WACK! Art and the Feminist Revolution at the Vancouver Art Gallery on October 5.
Connie Butler, curator; Linda Theung, essayist — Catalogue essay by Linda Theung for WACK! Art and the Feminist Revolution, which opened at the Museum of Contemporary Art, Los Angeles, then traveled to the National Museum of Women in the Arts, Washington, DC; MOMA/PS1, Long Island City, NY; and the Vancouver Art Gallery, British Columbia.