unpublished

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Radio Interview by Andil Gosine, 2010

Transcript, "Lorraine O'Grady's Natures," NCRA Canada — This half-hour show, extracted from a longer video interview and produced in Canada for NCRA, is focused on O’Grady’s diptych “The Clearing” and explores issues of sex, nature and love in her work via a mix of the intellectual and the intimate.

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BodyGround Image Descriptions, 2010

Unpublished paragraphs on individual works in INTAR exhibit, 1991 — Written to answer FAQs about the works without prescribing viewers' responses. The photomontages were not based in Surrealist or Dada randomness. To make arguments and not just images or dreams, rational sources were twisted so unfamiliar subjective material of the "other" might enter.

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Email Q & A with Courtney Baker, 1998

Unpublished exchange — The most comprehensive and focused interview of O’Grady to date, this Q & A by a Duke University doctoral candidate benefited from the slowness of the email format, the African American feminist scholar’s deep familiarity with O’Grady’s work, and their personal friendship.

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Studies for Flowers of Evil and Good, 1998

Wall statement for exhibit at Thomas Erben Gallery, Soho — Written for the first exhibit of “Studies #3 and 4 for Flowers of Evil and Good” at Thomas Erben Gallery, NYC, this discussion of the father of modernism Charles Baudelaire and his Haitian common-law wife Jeanne Duval, as well as Picasso and O’Grady’s mother Lena, places their relationships in the postmodernist moment.

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The Presence that Signals an Absence, 1993

Catalogue Essay, Coming to Power, David Zwirner Gallery — Written for the unpublished, photocopied catalogue of Coming to Power: 25 Years of Sexually X-plicit Art by Women, curated by Ellen Cantor and presented by David Zwirner Gallery and Simon Watson/The Contemporary, NYC, the essay examines O’Grady’s inclusion in the show and responses to her diptych The Clearing.

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Performance Statement #2, 1982

Unpublished statement, for Judson Memorial Church, unsent — In writing a proposal to perform Rivers at Judson Memorial Church, a venue with important avant-garde history, O’Grady unexpectedly reached greater clarity on the spiritual aspects of her work, especially its forms.

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Andil Gosine, 2012

Unpublished article on New Worlds — The unpublished article by Gosine, a York University (Toronto) professor who'd written earlier on hybridity in O'Grady's work, is a perceptive and detailed analysis of the subject's treatment in her New Worlds show at Alexander Gray, NY.

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Courtney R. Baker, 2000

The Art of Reading: Postcolonial Bodies and Strategic Illegibility — Analytic reading of two “works” — Gayatri Spivak’s description of her clothing, and Lorraine O’Grady’s Flowers of Evil and Good. Unpublished paper read to a symposium at Louisiana State University, March 2000.

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Judith Wilson, 1992

Unpublished slide lecture, A Postmortem on Postmodernism? — Prior to O’Grady’s publication of “Olympia’s Maid,” it tellingly inflects T. Feucht-Haviar’s later paper on subjectivity as a critical category opposing regimes of knowledge acquisition and production based in compromised forms of power relations.

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