Artist feature, CAA Art Journal, Summer 2012 — Based on her lecture in conjunction with the exhibit This Will Have Been: Art, Love and Politics in the 1980s, the article puts several early works in historical context and explains O'Grady's reverse trajectory from "post-black" to "black."
This Will Have Been
Curators converse on This Will Have Been — Conversation between curator Helen Molesworth and assistant curator Bartholomew Ryan about the making of This Will Have Been: Art, Love and Politics in the 1980s. Includes interesting comments on the delayed recognition of both O'Grady and Peter Hujar.
Hannah Feldman on This Will Have Been, MCA Chicago — This generally laudatory review of a groundbreaking exhibit on art of the 1980s features special attention on O'Grady's piece in the exhibit, Art Is…, seen as encapsulating the problematic of curator Helen Molesworth's strategy.
Museum of Contemporary Art, Chicago — Analysis of O'Grady's 1983 Afro-American Day Parade, Harlem, performance Art Is…, in the groundbreaking exhibit This Will Have Been: Art, Love and Politics in the 1980s, curated by Helen Molesworth. Essay by Jordan Troeller.