Kirsten Swenson reviews “Lorraine O’Grady” at Harvard’s Carpenter Center for the Visual Arts — Notes uncanny intersections of O’Grady’s early works with contemporary events. Concludes, “Now, we are beginning to see her art.”
Hatch-Billops Collection, Artists and Influence 1996, vol. 15 — In-depth interview done for the excellent Artist and Influence series produced by Camille Billops and James Hatch for their archive of African American visual and theatre arts.
Catalogue Essay, Coming to Power, David Zwirner Gallery — Written for the unpublished, photocopied catalogue of Coming to Power: 25 Years of Sexually X-plicit Art by Women, curated by Ellen Cantor and presented by David Zwirner Gallery and Simon Watson/The Contemporary, NYC, the essay examines O’Grady’s inclusion in the show and responses to her diptych The Clearing.
Cate McQuaid on "Where Margins Become Centers" — In this enthusiastic review of the Carpenter Center show, which she later discussed further in an end-of-year column on Boston's galleries, the award-winning critic declares that, after the early performances, O'Grady's work "grew more precise and more searing."
Piece on Basquiat referencing O'Grady's 1993 Artforum article — ArtInfo executive editor Ben Davis's feature, "Saving Basquiat," points to O'Grady's 1993 Artforum article and highlights the question it raised: Could knowing black fine artists have saved him?
Holland Cotter, Art in Review — Cotter, long familiar with O'Grady's work, points to a new aspect of the photomontages shown in New Worlds, their "deep ambivalence." And his description of the effect of Landscape (Western Hemisphere), the video-projection, is the most allusive yet.
Emily Nathan, The New York List — Analysis of New Worlds focusing on how the works' resistance of "easy classification" and their straddling of "artificial divides of genre and type" serve to replicate O'Grady's thoughts on the contemporary world, one "shaped and inflected by miscegenation."
Lumi Tan, Critics' Picks — A brief, astute statement that indicates O'Grady's intentions in naming her Alexander Gray, NY solo show New Worlds.
Unpublished article on New Worlds — The unpublished article by Gosine, a York University (Toronto) professor who'd written earlier on hybridity in O'Grady's work, is a perceptive and detailed analysis of the subject's treatment in her New Worlds show at Alexander Gray, NY.