the Black and White Show

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My 1980s, Art Journal 2012

Artist feature, CAA Art Journal, Summer 2012 — Based on her lecture in conjunction with the exhibit This Will Have Been: Art, Love and Politics in the 1980s, the article puts several early works in historical context and explains O'Grady's reverse trajectory from "post-black" to "black."

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The Black and White Show, 2009

1983 curated show, re-presented in Artforum, May 2009 — The artist portfolio that accompanied a survey article on O’Grady’s work by Nick Mauss in a two-article Artforum cover spread combined impressionistic text on her experience curating “The Black and White Show,” 1983, with historically analytic captions for works from the show.

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The 1980s: An Internet Conference, 2005

Moderated online by Maurice Berger — O’Grady’s replies to Berger’s questions, both reproduced here, were extensive. The conference, with 30 posters and hosted on the Georgia O’Keefe Museum website, provided an opportune moment to re-think her 80s work in its larger historical context.

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Email Q & A with Courtney Baker, 1998

Unpublished exchange — The most comprehensive and focused interview of O’Grady to date, this Q & A by a Duke University doctoral candidate benefited from the slowness of the email format, the African American feminist scholar’s deep familiarity with O’Grady’s work, and their personal friendship.

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Interview by Laura Cottingham, 1995

Hatch-Billops Collection, Artists and Influence 1996, vol. 15 — In-depth interview done for the excellent Artist and Influence series produced by Camille Billops and James Hatch for their archive of African American visual and theatre arts.

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Basquiat and the Black Art World, 1993

Artforum International — O’Grady’s column on the occasion of Basquiat’s first retrospective, at the Whitney Museum, was the first to examine Basquiat’s relation to the black art world. It discusses her personal relationship to Jean-Michel and analyzes the mainstream art world’s “primitivist” responses to his work.

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Interview by Linda Montano, 1986

Unedited transcript for Performance Artists Talking in the Eighties — Montano’s questions on “ritual” cast interesting light on the connection between O’Grady’s early life and her performances. The unedited transcript of the interview contains answers in greater depth on Mlle Bourgeoise Noire and Nefertiti/Devonia Evangeline.

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Nick Mauss in Artforum, 2009

The Poem Will Resemble You — Mauss’s article for Artforum is, with Wilson’s INTAR catalogue essay, one of the most extended and incisive pieces on O’Grady’s oeuvre to date. It was one-half of a two-article feature that also included O’Grady’s artist portfolio for The Black and White Show.

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Judith Wilson, 1991

Lorraine O’Grady: Critical Interventions — Catalogue essay for O'Grady's first solo exhibit: "Lorraine O'Grady," photomontages, INTAR Gallery, 420 W 42nd St, NYC, Jan 21-Feb 22, 1991. Includes authoritative account of artist's earlier career.

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