Surrealism

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Re Cutting Out the New York Times, 1977

Binder statement for Daniel Reich exhibit — At curator Nick Mauss’s request, O’Grady first exhibited five of the 26 cut-outs that she’d done on successive Sundays, from June 5 to November 20, 1977, in a group show nearly 30 years later — Between the Lines, in March 2006 at Daniel Reich Temporary (The Chelsea Hotel). She wrote a binder statement about her original work method and state of mind.

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Performance Statement #3, 1983

Unpublished statement, for Tony Whitfield — A letter to Tony Whitfield in preparation for Just Above Midtown’s Afro- Pop catalogue interview is O’Grady’s most self-conscious to that point. Experiencing a lack of clear precedents for her work, in it she attempts to theorize her relationship to performance art and the paucity of role models, and to face the question of the audience for black avant-garde art.

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