Surrealism

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Buffalo Biennial, 2010

Carolyn Tennant, New Media Director, Hallwalls — Catalogue essay for Beyond/In Western New York on O’Grady’s two-part exhibit: The Clearing: or Cortez and La Malinche, Thomas Jefferson and Sally Hemings, N. and Me, photomontage diptych, 1991; and her new complement to it: Landscape (Western Hemisphere)

black female subjectivity hybridity 2010 Surrealism Western binarism The Clearing Landscape (Western Hemisphere) BodyGround historiography erasure/invisibility sex and sexuality

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Judith Wilson, 1992

Unpublished slide lecture, A Postmortem on Postmodernism? — Prior to O’Grady’s publication of “Olympia’s Maid,” it tellingly inflects T. Feucht-Haviar’s later paper on subjectivity as a critical category opposing regimes of knowledge acquisition and production based in compromised forms of power relations.

Stuart Hall post-colonialism Dracula and the Artist diaspora Surrealism subjectivity post-modernism 1992 black women artists black writers western cultural hegemony Judith Wilson unpublished black female

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