Nick Mauss

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Re Cutting Out the New York Times, 1977 [2006]

Binder statement for Daniel Reich exhibit — At curator Nick Mauss’s request, O’Grady first exhibited five of the 26 cut-outs that she’d done on successive Sundays, from June 5 to November 20, 1977, in a group show nearly 30 years later — Between the Lines, in March 2006 at Daniel Reich Temporary (The Chelsea Hotel). She wrote a binder statement about her original work method and state of mind.

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Artspace, 2015

Feature article on "Art Is..." and why it might not work today — with interview of O'Grady by Karen Rosenberg. O'Grady describes how the piece became unintentionally historic. Done in 1983, it was just before crack came to Harlem. Later, both the drug and the changed technologies of policing in Harlem and elsewhere would make people less open to strangers and cameras.

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Nick Mauss in Artforum, 2009

The Poem Will Resemble You — Mauss’s article for Artforum is, with Wilson’s INTAR catalogue essay, one of the most extended and incisive pieces on O’Grady’s oeuvre to date. It was one-half of a two-article feature that also included O’Grady’s artist portfolio for The Black and White Show.

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