Rivers and Just Above Midtown, 2013, 2015
Text read at MOMA's Now Dig This! symposium — A meditation on why Rivers, First Draft might not have existed without the Just Above Midtown Gallery’s challenging and supportive environment.
Linda Goode Bryant
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Basquiat and the Black Art World, 1993
Artforum International — O’Grady’s column on the occasion of Basquiat’s first retrospective, at the Whitney Museum, was the first to examine Basquiat’s relation to the black art world. It discusses her personal relationship to Jean-Michel and analyzes the mainstream art world’s “primitivist” responses to his work.
New York Times, 2015
Holland Cotter, Art & Design — Cotter's review of O'Grady's exhibit at Alexander Gray focuses on her use of collage in both "Cutting Out the New York Times" and "Rivers, First Draft" as a method of shaping her complex history.
Alexander Gray Associates, 2015
Lorraine O'Grady, gallery exhibition catalogue — Fully illustrated, with analyses and descriptions of the 1977 "Cutting Out the New York Times" collaged poems and the 1982 "Rivers, First Draft" performance in Central Park (including production and music credits). Also contains bio and a new text by O'Grady celebrating premiere of RFD as a wall installation.
black female subjectivity Just Above Midtown black avant-garde Rivers First Draft autobiography Mlle Bourgeoise Noire Art Is... diaspora Olympia's Maid art-world racism performance art becoming an artist Linda Goode Bryant David Hammons Senga Nengudi 2015 nature vs culture Cutting Out The New York Times Lowery Stokes Sims Fred Wilson Judith Wilson
J’s Theater blog, 2013
Now Dig This! From LA to NY Symposium, MOMA — Unusually complete and profusely illustrated record of the symposium by a non-artist who allows many issues to emerge.