Binder statement for Daniel Reich exhibit — At curator Nick Mauss’s request, O’Grady first exhibited five of the 26 cut-outs that she’d done on successive Sundays, from June 5 to November 20, 1977, in a group show nearly 30 years later — Between the Lines, in March 2006 at Daniel Reich Temporary (The Chelsea Hotel). She wrote a binder statement about her original work method and state of mind.
Cutting Out The New York Times
Alan Gilbert review of Lorraine O'Grady at Alexander Gray — The editor of the College Art Association's caa.reviews, through a close formal description of "Cutting Out the New York Times," mimicked by that of the "Rivers, First Draft" wall installation, points to how their form provides an associative logic needed to make sense of the individuation process unfolding on the wall.
Lorraine O'Grady, gallery exhibition catalogue — Fully illustrated, with analyses and descriptions of the 1977 "Cutting Out the New York Times" collaged poems and the 1982 "Rivers, First Draft" performance in Central Park (including production and music credits). Also contains bio and a new text by O'Grady celebrating premiere of RFD as a wall installation.