Lisa Scanlon on O'Grady's archive at Wellesley College — Associate editor Scanlon, writing on the newly opened Lorrraine O'Grady Papers, the College's first major alumnae archives, calls the collection a means to preserve the records of the artist's "permanent rebellion."
Lumi Tan, Critics' Picks — A brief, astute statement that indicates O'Grady's intentions in naming her Alexander Gray, NY solo show New Worlds.
Unpublished article on New Worlds — The unpublished article by Gosine, a York University (Toronto) professor who'd written earlier on hybridity in O'Grady's work, is a perceptive and detailed analysis of the subject's treatment in her New Worlds show at Alexander Gray, NY.
Jeu de Paume invited blog — Rice's familiarity with O'Grady's work over 30 years results in a theoretically astute and rotundly feminist look at how New Worlds extends the artist's ongoing critique of cultural stability from the lens of the hybridized political-personal and the colonized body.
Alana Chloe Esposito, Unnatural Attitudes — A sensitive summary of O'Grady's biography and its effect on her art, Esposito's piece sees the work as emerging from the artist's pressure to understand and become herself.
Lorraine O'Grady Papers, Wellesley College Library — Front page article on the college website about the artist's visit to campus for the celebration of the opening of her archive and to give a lecture.
Blues for Smoke, Museum of Contemporary Art, LA — In a catalogue with the improvisational quality of the music, the final section of Blues for Smoke curator Simpson's essay "This Air" is titled "The Clearing," from a piece by O'Grady of that name in the exhibit, and discusses how the piece echoes the show's themes.
A Generous Medium: Photography at Wellesley, 1972-2012 — The curator of the Wellesley Davis Museum's 1994 exhibit Body As Measure, in which Miscegenated Family Album was first shown, looks back movingly on her encounter with the work in the artist's studio and on the complexities of purchasing work by an alumna.
Carolyn Tennant, New Media Director, Hallwalls — Catalogue essay for Beyond/In Western New York on O’Grady’s two-part exhibit: The Clearing: or Cortez and La Malinche, Thomas Jefferson and Sally Hemings, N. and Me, photomontage diptych, 1991; and her new complement to it: Landscape (Western Hemisphere)