Lorraine O'Grady with Jarrett Earnest — In this cover feature, her most important published interview to date, O'Grady discusses Flannery O'Connor as a philosopher of the margins, the archival website, working out emotions via Egyptian sculpture, Michael Jackson's genius, and feminism as a plural noun.
Abbreviated version of a WPS1 radio chat with curator Connie Butler. Published in the P.S.1 Newspaper Special Edition for “WACK! Art and the Feminist Revolution,” Winter/Spring, 2008, P.S.1–MOMA, Long Island City, NY.
Recorded by Art Radio WPS1, available online at clocktower.org — Full transcript of a 45-minute conversation between Lorraine O’Grady and curator Connie Butler in WPS1 Art Radio’s broadcast studios two weeks before the WACK! opening at PS1–MOMA, Long Island City, NY.
Moderated online by Maurice Berger — O’Grady’s replies to Berger’s questions, both reproduced here, were extensive. The conference, with 30 posters and hosted on the Georgia O’Keefe Museum website, provided an opportune moment to re-think her 80s work in its larger historical context.
LACMA panel paper, revised for publication in X-Tra — O’Grady recounts an incident from her pre-art life in explanation of her response to the work of the white South African artist.
Published letter re “Ronald Jones on 'Black Like Who?'” — Response to "Crimson Herring: Ronald Jones on 'Black Like Who?' [Harvard University symposium on stereotypes in art]," Artforum International, vol. xxxvi, no. 10, Summer 1998. Letter published as "Poison Ivy," in Artforum International, vol. xxxvii, no. 1, October 1998.
Unpublished exchange — The most comprehensive and focused interview of O’Grady to date, this Q & A by a Duke University doctoral candidate benefited from the slowness of the email format, the African American feminist scholar’s deep familiarity with O’Grady’s work, and their personal friendship.
One of three cover articles on Landers, Artforum, April 1994 — By mutual consent, this was O’Grady’s last article for Artforum. It was also not included in the Sean Landers gallery press kit.
Lisa Scanlon on O'Grady's archive at Wellesley College — Associate editor Scanlon, writing on the newly opened Lorrraine O'Grady Papers, the College's first major alumnae archives, calls the collection a means to preserve the records of the artist's "permanent rebellion."
Lorraine O'Grady Papers, Wellesley College Library — Front page article on the college website about the artist's visit to campus for the celebration of the opening of her archive and to give a lecture.
A More Female and More Discreet Whitney Biennial. . . — Original Spanish, plus English translation, of article in Spain’s equivalent to the New York Times. The review contains a fuller-than-usual discussion of the significance of O’Grady’s installation.
Massimiliano Gioni picks... Lorraine O’Grady, Art Is... — Gioni's one-paragraph notice with photo points to ways in which O'Grady's piece in the Alexander Gray booth at Art Basel Miami Beach questions market values. In the publication that carries most weight at the fair.