Studio Museum in Harlem Magazine, Summer/Fall issue — Hunt, the curator of O'Grady's solo exhibit of "Art Is..." at the SMH, discusses with her the images the artist still finds most intriguing, her process of gathering the images and more than a quarter of a century later organizing them into a new art work. Also touched on are the assembling of the performers and how they helped shape the piece.
African-American Day Parade
Louis Bury on "Art Is..." — Bury's lengthy and magisterial review is a model of intellectual attention to what is being seen — both inside and outside the frame. Beginning with the freedom of the piece's title, it examines framing as form, content and metaphor, and illluminates police presence and the relation of viewer to viewed.
Feature article on "Art Is..." and why it might not work today — with interview of O'Grady by Karen Rosenberg. O'Grady describes how the piece became unintentionally historic. Done in 1983, it was just before crack came to Harlem. Later, both the drug and the changed technologies of policing in Harlem and elsewhere would make people less open to strangers and cameras.