“She was silent and submissive. This was very appropriate, after all, since she had no soul, and she was of a race of slaves. She was lazy and stupid.”
— Camille Mauclair, 1927
“… it is the penchant for misery that kept him near the emaciated body of Louchette, and his love for ‘the hideous Jewess’ that is like a prefiguration of what he would later bring to his relationship with Jeanne Duval….”
— Jean-Paul Sartre, Baudelaire, 1946
“Jeanne, the black witch, symbolized his damnation; Appollonie, the white angel, his salvation.”
— F.W.J. Hemmings, Baudelaire the Damned: A Biography, 1982
Jeanne Duval, Charles Baudelaire’s black mistress, has been an unavoidable subject in Baudelaire’s biographies. Yet despite her obvious importance in Baudelaire’s life and work (it was she who inspired the Black Venus cycle, arguably the most poetically significant poems of Les Fleurs du Mal), very little is actually known about her. Historians and philosophers such as Sartre and Jean