WELLESLEY — “Not another show about the body!” will doubtless be some people’s reaction to “The Body as Measure,” which opens today at Wellesley College’s Davis Museum. Theme shows about the human body have sprouted up nearly everywhere in recent seasons; in the Boston area, the Museum of Fine Arts’ “Figuring the Body” and MIT’s “Corporal Politics” come to mind. So Wellesley’s show, when it was announced, seemed superfluous.
It’s not. that’s partly because curator Judith Hoos Fox has taken an original tack. Unlike other “body” shows, hers doesn’t deal with functions and fluids; there’s no blood or urine. It’s not a messy exhibition. Nor is it aggressive or angry: The politics here are subtler. Finally, the show succeeds because of the talent of its curator. “The Body as Measure” is, in fact, a perfect example of curatorial intelligence. Fox has pulled together nine artists from the United States, Canada an Germany: They weren’t an obvious, easy-to-identify group. She’s selected pieces that date from 1963 to 1993, editing superbly to create a gallery where works connect visually and philosophically.
You hear one work before you see it — before you even enter the gallery, in fact. The