Lorraine O'Grady with Jarrett Earnest — In this cover feature, her most important published interview to date, O'Grady discusses Flannery O'Connor as a philosopher of the margins, the archival website, working out emotions via Egyptian sculpture, Michael Jackson's genius, and feminism as a plural noun.
Studio Museum in Harlem Magazine, Summer/Fall issue — Hunt, the curator of O'Grady's solo exhibit of "Art Is..." at the SMH, discusses with her the images the artist still finds most intriguing, her process of gathering the images and more than a quarter of a century later organizing them into a new art work. Also touched on are the assembling of the performers and how they helped shape the piece.
Transcript, "Lorraine O'Grady's Natures," NCRA Canada — This half-hour show, extracted from a longer video interview and produced in Canada for NCRA, is focused on O’Grady’s diptych “The Clearing” and explores issues of sex, nature and love in her work via a mix of the intellectual and the intimate.
[Text in English and Italian] Mousse Magazine, issue 24 — The Mousse interview, done after the Whitney Biennial opening, elaborated on O’Grady’s piece for that exhibit,The First and the Last of the Modernists, and its relation to her decades of teaching Baudelaire and to her work-in-progress Flowers of Evil and Good.
Abbreviated version of a WPS1 radio chat with curator Connie Butler. Published in the P.S.1 Newspaper Special Edition for “WACK! Art and the Feminist Revolution,” Winter/Spring, 2008, P.S.1–MOMA, Long Island City, NY.
Recorded by Art Radio WPS1, available online at clocktower.org — Full transcript of a 45-minute conversation between Lorraine O’Grady and curator Connie Butler in WPS1 Art Radio’s broadcast studios two weeks before the WACK! opening at PS1–MOMA, Long Island City, NY.
Unpublished exchange — The most comprehensive and focused interview of O’Grady to date, this Q & A by a Duke University doctoral candidate benefited from the slowness of the email format, the African American feminist scholar’s deep familiarity with O’Grady’s work, and their personal friendship.
In Sojourner: The Women's Forum, November 1996 — Conducted in Cambridge during O’Grady’s one-year residency at the Bunting Institute at Harvard, the interview may have been affected by what she’d felt as adverse treatment there of her diptych The Clearing.
Hatch-Billops Collection, Artists and Influence 1996, vol. 15 — In-depth interview done for the excellent Artist and Influence series produced by Camille Billops and James Hatch for their archive of African American visual and theatre arts.
Unedited transcript for Performance Artists Talking in the Eighties — Montano’s questions on “ritual” cast interesting light on the connection between O’Grady’s early life and her performances. The unedited transcript of the interview contains answers in greater depth on Mlle Bourgeoise Noire and Nefertiti/Devonia Evangeline.