Journal Articles

18

Paris Review, 2016

Caille Millner, on Rivers, First Draft as a living Künstlerroman — Whereas to many the performance may seem surrealist (in the way early readers saw García Márquez's 100 Years of Solitude as surrealist when that novel was, if not realistic, quite real), Millner adeptly demystifies the work's collage aesthetic, seeing the piece as literalized metaphor, a guide to women of color wishing to become artists.

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Stedelijk Studies #3, 2016

"Frame Me": Speaking Out of Turn and Lorraine O'Grady's Alien Avant-Garde — In the first major academic article on O'Grady, Stephanie Sparling Williams, using both the definition of "alien" as stranger and the Brechtian "alienation effect," provides a first line of theorization, stating: "As both alien and avant-garde, [it paves] the way for these two terms to be theorized in close proximity as a distinctive position from which to deploy strategic visibility and voice."

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Shelley Rice, 2012

Jeu de Paume invited blog — Rice's familiarity with O'Grady's work over 30 years results in a theoretically astute and rotundly feminist look at how New Worlds extends the artist's ongoing critique of cultural stability from the lens of the hybridized political-personal and the colonized body.

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Nick Mauss in Artforum, 2009

The Poem Will Resemble You — Mauss’s article for Artforum is, with Wilson’s INTAR catalogue essay, one of the most extended and incisive pieces on O’Grady’s oeuvre to date. It was one-half of a two-article feature that also included O’Grady’s artist portfolio for The Black and White Show.

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Thomas Feucht-Haviar, 2005

Lorraine O’Grady’s “Olympia’s Maid: Reclaiming Black Female Subjectivity” — Seminar paper on need for subjectivity and agency to restore critical judgement in face of knowledge acquisition and production that are compromised forms of power relations. Studio Art Dept, UC Irvine.

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Courtney R. Baker, 2000

The Art of Reading: Postcolonial Bodies and Strategic Illegibility — Analytic reading of two “works” — Gayatri Spivak’s description of her clothing, and Lorraine O’Grady’s Flowers of Evil and Good. Unpublished paper read to a symposium at Louisiana State University, March 2000.

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Judith Wilson, 1992

Unpublished slide lecture, A Postmortem on Postmodernism? — Prior to O’Grady’s publication of “Olympia’s Maid,” it tellingly inflects T. Feucht-Haviar’s later paper on subjectivity as a critical category opposing regimes of knowledge acquisition and production based in compromised forms of power relations.

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